David Zerbib is a lecturer in Philosophy of Art at HEAD – Genève (HES-SO). He has taught Aesthetics and the Philosophy of Art in different academic contexts, as at the University of Paris 1 or at EnsAD Paris (École nationale supérieure des Arts Décoratifs). He teaches also at ESAAA-Annecy, where he has developed collaborative artistic research practices. Member of AICA (International Association of Art Critics), he writes on contemporary in catalogues and reviews. An associated member of the Centre d’Histoire des Philosophies modernes de la Sorbonne, his researches focus on contemporary aesthetics, performance theory and the issue of format. Among his publications in English on these topics one could mention: “Performance Knots: Crossed Threads of Anglo-American Thought and French Theory” in  Inter Views in Performance Philosophy. Crossings and Conversations (A. Street, J. Alliot and M. Pauker Eds., London: Palgrave Macmillan, 2017), or the book he co-edited with A. Citron and S. Aronson-Lehavi:  Performance Studies in Motion, International perspectives and practices (London: Bloomsbury, 2014). He also recently published, with the artists Sylvie Boisseau and Frank Westermeyer, Playing at being human. Between AI, animal and plant life, an artistic and philosophical experiment (e-book, Berlin: Naima / HEAD, 2021).