15.11.2022
ISSUE #15 – Net found footage
Just as the pioneers of experimental cinema reused and distorted sequences from film footage, filmmakers are now drawing on the vast reservoir of Internet images to create new narratives. This feature looks…
Category : Cinema
15.11.2022
Les 1001 images d’un grand cerveau
“The world has already been filmed, it is now a matter of transforming it”, said Guy Debord in The Society of the Spectacle in 1973. This reservoir of images has since been…
15.11.2022
Three films from the net-found footage workshops
From a fantasy aroused by some men′s underwear packaging, to the search for oneself in the depths of social media, to research into one′s own Iraqi origins; these three films created within…
07.10.2022
Les voix de la transmission
Entretien avec l'historienne de l'art et critique Clara Schulmann
Marked out by authoritative voices and a proven research methodology, the academic path may seem fairly straightforward. In her book Zizanies, art historian and critic Clara Schulmann takes a different approach, allowing…
07.10.2022
Transition du regard
Entretien avec river, cinéaste et activiste trans
Whether working behind the camera, in casting studios, nightclubs, or on a football field, river is methodically helping trans and queer people gain visibility. For a long time, the film industry’s conservative…
07.10.2022
Les voix tues du film de la justice
Entretien avec la cinéaste et chroniqueuse judiciaire Yamina Zoutat
There is a unique sort of drama to court proceedings. It is this shaping of reality which sparked Yamina Zoutat’s interest in filmmaking when she was a court reporter. In her films,…
07.10.2022
ISSUE #14 – Whose Voice?
Cinema, representation and representativeness
The cinema Department's "À qui donne-t-on la parole?" (Whose Voice?) seminar invited filmmakers and thinkers to offer critical and inquiring perspectives on the issues of representation and the construction of our imagination.…
06.07.2022
The manipulative magic of editing
An interview with Ael Dallier Vega
A crucial stage in the construction of a film – where rhythm, grammar and dramaturgy are redefined – editing remains a shadowy profession. Ael Dallier Vega is an editor and lecturer in…
30.09.2021
Film montage and its effects
Montage is one of the privileged instruments of cinema for directing the attention and emotions of the spectators. Alfred Hitchcock, who defined himself as a director of spectators before being a director…
30.09.2021
ISSUE #9 – Editing Arts International Symposium
Video footage of the conferences
"Editing Arts! Montage en mouvement" looked at the question of montage in contemporary art and design practices and, conversely, the influence of these practices on cinema. This feature gathers the entire conference…