A crucial stage in the construction of a film – where rhythm, grammar and dramaturgy are redefined – editing remains a shadowy profession. Ael Dallier Vega is an editor and lecturer in…
Montage is one of the privileged instruments of cinema for directing the attention and emotions of the spectators. Alfred Hitchcock, who defined himself as a director of spectators before being a director…
"Editing Arts! Montage en mouvement" looked at the question of montage in contemporary art and design practices and, conversely, the influence of these practices on cinema. This feature gathers the entire conference…
These lectures highlight the physical and material dimension of montage in various contexts outside cinema. Through musical composition, theatre, architecture or literary creation, montage can be a technique as much as a…
Against a deluge of images, certain forms of montage, compilation and spatialization allow for a critical engagement with images. Doreen Mende looks back at the approaches of Soviet women editors and the…
This series of lectures approaches the notion of montage in arts and activities close to cinema such as new media, video games and comics. Freeing himself from cinemacentrism, Frederik Peeters defends the…
It is rare to read excerpts from a film script that is still in post-production. Between two editing sessions, Carmen Jaquier discusses the writing of her second feature film, Les Paradis de…
The HEAD offers various workshops devoted to writing in art and design, and this feature looks at writing practices at the school through student productions and interviews with two specialists: Carla Demierre…
In her short film À la recherche d’Aline, Rokhaya Marieme Balde focuses on her great-aunt, Aline Sitoé Diatta, who was a heroine of the anti-colonial struggle in Senegal. In addition to her…
The deputy dean of the Cinema Department Delphine Jeanneret conducted an interview with the Brazilian filmmaker Petra Costa, invited at Visions du Réel Festival taking place online from April 17th – May…