During her studies, Eva Meister took on a number of student jobs as her family could not afford to support her. In her TRANS – master’s thesis, Meister, now an alumna, looked…
Camille Sevez questions our relationship with old age in this thesis, based on a painful personal episode in which her grandfather died alone in a nursing home during lockdown. While old age…
Held on Monday March 22nd, the 2021 edition of the Master Symposium was a collective all-day event organised by the HEAD’s MA in Visual Arts Department: Work.Master, CCC, and TRANS. This year,…
This edition features a selection of thesis completed in 2019 and 2020 in the HEAD – Genève's different Master’s orientations. The selection is a testimony to the diversity of issues at stake,…
Pourquoi (Why) is an essay that considers the position of the author within a collective form of cinema. Pourquoi articulates film analysis, accounts of experimentations and descriptions of devices. Pourquoi guides and questions an action-research, on which…
The HEAD–Genève’s TRANS– Masters is devoted to students wanting to get involved in socially engaged and collaborative artistic projects or cultural mediation. The Masters was founded by microsillons, a duo composed of…
In William Turner’s "Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On" (1840), sublime, unrelenting nature meets the revolting behaviour of men treating other men as refundable commodities. Images of black…