Mirjana Farkas questions the constraints of illustration, grouping them under the broad categories of Time and Space. Time that is gained and lost, dreamt of or successfully spared. The time it takes…
A look back at the Filigrane talk series, which, over two days devoted to the studio and production under constraint, enabled seven illustrators representative of current trends to talk about their means…
As both the dominant mode of self-realisation and a tool for creating wealth in the capitalist world, work is constantly being redefined. Our relationship to it has been affected by automation, the…
A graphic designer and teacher who has long been interested in interactivity issues, Etienne Mineur is experimenting with artificial intelligence image generation platforms, such as DALL-E or Midjourney, to create typography. Testing…
Favarger is a Geneva-based chocolate brand founded in 1826, well known for its avelines, a chocolate praline wrapped in gold paper. In 2021, the company commissioned the Visual Communication Department of HEAD…
Published in 2022 and already out of print, the book Graphic Design in the Post-Digital Age is currently being reprinted. To celebrate this upcoming return to bookstores, we are publishing an excerpt…
In this Talking Heads conversation with art critic Jill Gasparina and digital anthropologist Nicolas Nova, Lialina bears witness to the paradigm shift that took place in the 2000s with the passage from…
The humans living on this planet are settled in the different habitable zones of the planet, and they represent a wide diversity of genders, ethnic groups, cultures, and others. However, cultural media…
The Internet is often considered to be something intangible. Yet it is rooted in a physical infrastructure that we all use every day. Why is its materiality so often forgotten? Why is…
As the academic year draws to a close, ISSUE invites you to discover a selection of exemplary theses written by graduates from the various master's programs at HEAD – Genève in 2021…