Florence Marguerat carried out a survey of alumni and teachers of the HEAD’s Visual Communication department to discuss the revival of craft practices in design at a time when digital technology is…
In this essay, the two authors discuss feminist methodologies of the visual arts interview. Adopting the interview to obtain information on women’s experience of art means focusing research on the terms of…
In this article, Aude Fellay examines critiques of work in fashion, and of work more broadly, in the light of the concept of ‘the refusal of work’, and the call for it,…
Trans history grows in the interstices and in-betweens of institutions, disciplines and countries. It appears as an intellectual space that blends a great diversity of forms of writing, materials, contexts, and positions.…
In Black On Both Sides: A Racial History of Trans Identity, C. Riley Snorton examines American trans historiography through the prism of racial issues: how do gender and race interfere and intertwine…
This contribution is the starting point of the research called « Élaborer le bruit. Les identités en traduction », which Ève-Gabriel Chabanon is conducting as part of a practice-based doctoral thesis in…
Imagine yourself in a photography museum.
In post-World War II Guadeloupe, a community of gender-nonconforming individuals was instrumental in preserving and transmitting traditional drum culture. In this presentation, Michaëla Danjé analyzed some of the modalities of this erasure…
An excerpt from Jazil Santschi’s CCC master thesis, “Transmuting Black Sonic Entities. The Necessary Voices of a Culture in the Making”.
Could we learn to grieve without fetishizing our dead (human or more-than-human)? Could we spend more time with our dead without making them into “steps” in the advancement of other causes?