Drag, The International Transvestite Quaterly

ISSUE #25 Trans Hirstory and Art


“For millennia, the patriarchy has had history; for a few years, in the 1970’s, some white feminists had herstory; but now, transgender people finally have a gender neutral hirstory all their own”. (Chris E. Vargas, Museum Of Trans Hirstory and Art, 2017)

Borrowing the expression hirstory from the artist Chris Vargas, the conference Trans Hirstory and Art, whose proceedings we publish in this dossier, aimed to create spaces for a plurality of approaches towards trans history, trans archives, and connections with the past, that make and unmake trans subjectivities and contemporary trans struggles. All too often, the past has been transformed into a hegemonic narrative that disqualifies the mere possibility of gender variant lives. Archives submitted to a series of curation and indexing choices gradually converge towards the highlighting of lives conforming to current norms and standards. Scholars of queer and subaltern studies have learned to read between the lines of normative documents, and to reveal what was once present and is now silenced. While a struggle against erasure is a never-ending one, it seems that gender-variance and queer sexualities were too present to go unnoticed.

The conference showcased the numerous perspectives that converge in the field of trans studies and aims to question the construction of transness as an allegedly new topic. While publications in the field of trans history have been growing in prominence over the past years, the links between anglophone historical research and francophone studies are still lacking. The conference highlighted the different perspectives on trans history, emphasizing the role of trans communities, social movements, and political struggles, as well as decentering the hegemony of western and colonial epistemologies.

A few artists developed their projects around the construction of alternative queer and trans history, using archives and reempowering them, as Yuki Kihara and Chris Vargas did. While queer and trans studies have a common ground, some exhibitions and catalogues may have blurred sexualities and gender categories, including different approaches to sex and gender (by Vincent Honoré and Smith & Piton). But the multiple contradictions that are in contrast with this increased visibility have also been addressed in a critical manner, in the context of increasing systemic violences, especially towards transwomen of color and trans sex workers. We see this conference as a starting point for further research on the matter, and thank HEAD–Genève (HES-SO), our colleagues from Work.Master, TRANSform and CCC, the Centre Maurice Chalumeau en Sciences des Sexualités (UNIGE), Camille Yassine, Constance Brosse, and our colleagues who accepted to supervise the sessions: Sébastien Chauvin, Yasmina Foehr-Janssens, Federica Martini, Noureddine Noukhkhaly, Lee Rozada, for their support and trust.

 

Clovis Maillet and Ruby Faure

 

Image: Drag, The International Transvestite Quaterly, vol. 3, no. 11, 1973.

Écrire l’histoire trans*

Un cliché de Lucy Hicks Anderson

Une Silhouette cauchemardesque

swamp

Swamp Tales, Trans Ghosts, and Nonbinary (Magical) Realism

Eugene’s trial, Saint Peter Church, Varzy

Eugenix, Hyacynth and Protus, Trans* and Eunuchs in Roman Catacumbs

The Pope is giving birth, iconography of a masculine parturition

Ce Chapitre commence deux fois

Élaborer le bruit

Fig Docher

Composite Curation

Autofiction Afrocosmic

Conjured away

Writing a Transfeminist Archive of Feelings with Strings: three Methodologies of Queer and Trans Hirstory in Contemporary Music

Transmuting Black Sonic Entities

Transitioning is Kid Stuff: Trans*/Childhoods at the Turn of the 19th and 20th Century

a snail and books

Notes on trans*grievability

Toni Ebel, Charlotte Charlaque et Dorchen Richter filmées par Lothar Golte pour Mysterium des Geschlechts (1933)

Where does care fit into our trans hirstories? Thwarting medical tropism

podcast du Centre d'archives LGBTQI+

The incompleteness of the archive belongs to us: rather than writing history, practising the living archive

Otto Briant-Terlet

Respectability as a constrained political strategy: First steps towards an analysis of the Parisian trans movement of the 1990s

“Existence as resistance”: Existrans as a platform for trans struggles in France