Originally, in the early 2000s, Jeansdinge was a collection of denim objects brought together by artist-researchers Katharina Hohmann and Katharina Tietze for an exhibition exploring the grey areas between art and fashion,…
Looking to escape the model of temporarily occupying a wasteland proposed by institutions and private companies, art collectives are rethinking how to live and work together by acquiring land that will ensure…
Cold War spy films bear witness to a polarity between overt technophilia and a critique of technology’s hold on the human mind. In this text, which prefigures an exhibition that Alexandra Midal…
New technologies often come with harmful side effects, on both the ecological and psychosocial levels. Rather than putting the emphasis on novelty, Kris De Decker tries to address our human needs with…
User-centred design has imposed itself solely on the development of computer interfaces and protocols. Far from being neutral, on the contrary, this approach to design is biased, because it is based on…
The HEAD and the HEG have joined forces to develop a carbon calculator to measure the impact on the climate of the activities of the Universities of Applied Sciences and Arts (HES)…
How can art and design practice be combined with ecological issues? Does production necessarily imply a form of destruction? What forms might a turn towards deproduction take? This feature considers these issues…
Sylvie Boisseau, Frank Westermeyer and David Zerbib publish the ebook Jouer à être humain (Playing at being human), the result of a two-year research project (HEAD – Genève, HES-SO) which brings together…
The HEAD – Genève’s policy is to defend access to the knowledge it produces. To this end, the HEAD launched a new multi-media editorial unit called HEAD – Publishing, whose first collection,…
This focus critically examines an initiative for a European framework for artistic research that could serve as a roadmap for government policies. It proposes other ways of regarding art research, less standardized…