On September 8th 2020, the Visual Art Department organised its traditional graduation exhibition, the Grand Tour. There’s nothing ordinary about this year’s exhibition though, which was planned for early summer, but was…
This edition features a selection of thesis completed in 2019 and 2020 in the HEAD – Genève's different Master’s orientations. The selection is a testimony to the diversity of issues at stake,…
In association with the far° Nyon, a group of students from the HEAD – Genève worked with the artist Maria Lucia Cruz Correia. At an interdisciplinary workshop during the Semaines de tous…
Pourquoi (Why) is an essay that considers the position of the author within a collective form of cinema. Pourquoi articulates film analysis, accounts of experimentations and descriptions of devices. Pourquoi guides and questions an action-research, on which…
In the Master’s thesis she completed in 2019 within the framework of the CCC, Laila A. Torres Mendieta uses the performativity of fiction theory to create what she calls “fissures” in the…
The research conducted by Léa Genoud within the framework of the CCC Master’s research programme in 2019 is a reflection on the coloniality of the museum – a product of Western imperialist…
Laura Spozio proposes a reworked version of her 2019 Visual Art Master’s Thesis for this online publication. Readers can choose between two non-linear entries. The first story is of a literary nature,…
Through a montage of texts and interviews with artists and authors, Diane Rivoire traces the links between art, love and friendship, the love of art and workplace friendships. Some passages are borrowed…
Johana Blanc’s 2020 Work.Master Master’s thesis collects together a series of peremptory judgements sprinkled by some artists, critics and other authority figures of the art world when talking about art. Banishing some…
How can you continue to practise art when you no longer have access to your studio? How do you keep up your studying rhythm when every day feels the same? How can…