Two films by Lou Cohen explore the contemporary professional world with a wry sense of humour. From recruitment agencies to start-ups, Cohen imagines situations in which coaching and power relations combine and…
How to continue producing, as an artist who belongs to a social group perceived as a minority? Behind the current openness of art institutions to so-called minorities, there are a number of…
In contemporary art, migrants are mostly represented from a dramatic angle. The denunciation of their fate once they have arrived in Europe, the risks of crossing the Sahara or the Atlantic, and…
Train trips punctuate this thesis by Oélia Gouret, which takes the form of a travel diary, but also of a pandemic’s log book, an extraordinary period also marked by intense exchanges, readings…
On the 18th of June, 2022, documenta fifteen will open its doors in Kassel. The Indonesian collective ruangrupa run this new edition of the German five-year event, seeking to embed it in…
Through videos, immersive installations and drawings, Morag Keil looks with disillusioned humour at the impact of what Shoshana Zuboff famously called surveillance capitalism. The multiple lockdowns and calls to telecommute during the…
Held on Monday March 22nd, the 2021 edition of the Master Symposium was a collective all-day event organised by the HEAD’s MA in Visual Arts Department: Work.Master, CCC, and TRANS. This year,…
We continue with our memories of the Grand Tour with Work.Master graduate student Henrique Loja’s sculpture work. Loja presented a series of objects partly composed of recycled materials, in which micro-stories and…
On September 8th 2020, the Visual Art Department organised its traditional graduation exhibition, the Grand Tour. There’s nothing ordinary about this year’s exhibition though, which was planned for early summer, but was…
This edition features a selection of thesis completed in 2019 and 2020 in the HEAD – Genève's different Master’s orientations. The selection is a testimony to the diversity of issues at stake,…