Drawing on Sianne Ngai’s Theory of The Gimmick: Aesthetic Judgment and Capitalist Form (2020), this essay examines the reception of fashion collective Vetements through the lens of the gimmick, discussing the label’s…
This series of lectures approaches the notion of montage in arts and activities close to cinema such as new media, video games and comics. Freeing himself from cinemacentrism, Frederik Peeters defends the…
Through a montage of texts and interviews with artists and authors, Diane Rivoire traces the links between art, love and friendship, the love of art and workplace friendships. Some passages are borrowed…