This selection of works by students and alumni from the HEAD’s creative writing workshops testifies to the vitality and diversity of ways in which a text can be rendered. The variety of…
In the Master’s thesis she completed in 2019 within the framework of the CCC, Laila A. Torres Mendieta uses the performativity of fiction theory to create what she calls “fissures” in the…
Laura Spozio proposes a reworked version of her 2019 Visual Art Master’s Thesis for this online publication. Readers can choose between two non-linear entries. The first story is of a literary nature,…
Through a montage of texts and interviews with artists and authors, Diane Rivoire traces the links between art, love and friendship, the love of art and workplace friendships. Some passages are borrowed…
Johana Blanc’s 2020 Work.Master Master’s thesis collects together a series of peremptory judgements sprinkled by some artists, critics and other authority figures of the art world when talking about art. Banishing some…
How can you continue to practise art when you no longer have access to your studio? How do you keep up your studying rhythm when every day feels the same? How can…
In this introductory text, Christophe Kihm addresses the formal logic of the fashion show. The French term for fashion show, “défilé”, refers to a narrow pass in a mountain which people walked…
Invited by the Fashion Department to evoke the fashion show, artist and Visual Arts teacher Ambroise Tièche imagines a conversation that drifts from one thread to the next following a Geneva bus…
The 2018-2019 school year in Visual arts ended with the traditional Grand Tour exhibition, which presented the diploma work of students in the Boulevard Helvétique, James Fazy and Général Dufour buildings, in…